by Elizabeth Trew
In his naturalist hands his talisman –
a bee trapped in amber, tears
of the sun god Apollo.
In his frames he prints inky tadpoles,
fixes dragonfly wings to watercolours.
Into the first floor he ferries
fallen leaves found in shadowy underbrush,
patterns spring leaves like hands
against rubbled cities.
He singes and seals fallen leaf tones
onto parchment, murals of burnt oaks,
olives, charcoals, plastering his walls
with guttering nutmegs and cold copper leaves.
The apprentice upstairs opens tins –
powdered acrylics, intense coloured lights.
Into her pollens she mixes and stirs, adds
the sky’s tones and borrows from the master downstairs
a handful of charcoals, a few yellow tears.
Onto her walls she maps her city,
into her cauldron dips wide-shouldered brushes
the brilliance of reds, purples, blues.
Windows and doors become colour slabs
Black eyes of her flower heads
She pours out her city’s florescence
spilling through skylight, cascading downstairs,
launching her scripts on his coppery bed.